North Bennet Street School Workshop Calendar

Current Workshop Schedule

You can now register and pay for your classes online. Simply click the checkbox next to each class in which you wish to enroll, and then click "Complete Registration Online" at the bottom of this page.

	WORKSHOP SCHEDULE
	Workshops are listed by program
	August 2008 - February 2009
	BOOKBINDING, CALLIGRAPHY & RELATED ARTS, JEWELRY MAKING, MARKETING, WOODWORKING, CARPENTRY, LOCKSMITHING
	BOOKBINDING WORKSHOPS
	August 2008
	- February 2009
	We are thrilled to continue to expand our bookbinding offerings this fall, with the creating of the Three Month Bookbinding Intensive. This class is perfect for those looking to find and/or hone their binding skills in a collegial classroom environment. Heather Hamilton and Deborah Cuoco coming back for a repeat of their sold-out Introduction to Paper Conservation for Bookbinders (if you got shut out of the last class, register early now!). Peter Geraty will be joining us for some incredible Leather Decoration and Leather Surfaces workshops, and Johanna Finnegan-Topitzer returns with Binding for Classroom Teachers.
	Introductory, No Prerequisite, & All Level Bookbinding Workshops
	August 2008
	to February 2009
	Accordion Books
	Sunday, Feb 9, 2009, 8:30am-4:30pm
	Amy Lapidow, Instructor
	$250
	Accordion books hold many possibilities for the bookbinder, book artist, album-maker, or journal keeper. See what can be done with a length of folded paper! This one-day workshop will cover folding and trimming possibilities, including simple meandering structures, a tassel book, and explorations in the accordion structure. Materials, tools, and embellishments will be discussed. This class is open to all skill levels. If you don’t already own bookbinding tools, expect to spend approximately $90 on tools for this course, in addition to tuition.
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	Books to Create and Inspire: Classroom Binding for Teachers
	Saturday, Nov 15, 2008, 8:30am-4:30pm
	Johanna Finnegan-Topitzer, Instructor
	$250
	In this hands-on workshop, learn how to make some basic book structures, as well as discuss ideas for their use with students. Teachers have the opportunity to share ideas with each other while creating the demonstration pieces. The full-day course involves creating book structures from different cultures. Participants will learn the accordion book structure found in China and Mexico, the palm leaf book from Tibet, the Japanese stab binding and a European pamphlet stitch. We will discuss how to use these books to teach various subject matters such as reading, math, art and science by filling the books with illustration, text and pop-up elements. Tools for this course consist of common household items such as scissors, a pencil, a ruler, an Olfa or utility knife, decorative paper, photographs (personal or otherwise), and any other media you may wish to use to fill your books.
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	New! Three Month Bookbinding Intensive
	Mon-Fri, Sep 15-Dec 13, 2008, 8:30am-2:30pm, with studio time until 4:30
	Stacie Dolin, Instructor
	$6500
	Join us for the first-ever Three Month Bookbinding Intensive here at North Bennet Street School. This class is designed for those who want to intensely study bookbinding in a three month time period. Participation in the three-month class can also be used by students who wish to enhance their skills to be better prepared to attend the full-time Bookbinding program. This class is suitable for the brand-new beginner, or the moderately experienced binder who wishes to practice and hone skills. Covered in this class are the foundational content of two of our workshops, Introduction to Non-Adhesive and Cloth Case Bookbinding. Specific structures include: Coptic, historic longstitch, long stitch with wrapper, crossed structure, flat back and rounded and backed cloth case, full, half, and quarter cloth case, a cloth case production project, onset, modified split, and simplified boards, basic enclosures, including four flap, slipcase, and clamshell, case binding variants, including endpaper attachment variations, headbands, album structures, foil stamping and more, as time allows. Field trips and other topics will be part of the curriculum depending on student interest. Please note: this is not a fine binding/leather binding class. The tuition includes a materials fee for paper and other basic supplies; for the most part, students are expected to provide their own materials and hand tools. If you don’t already own bookbinding tools, expect to spend approximately $200 on tools for this course, in addition to tuition. Additional materials will range from $200 and up, depending on what you choose. A deposit of $1800 is required to hold your spot. The balance is due one week before class begins.
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	Introduction to Non-Adhesive Bookbinding
	5 weeks, Saturdays, Sept 27-Nov. 1, 2008, 8:30am-4:30pm, no class Oct 14
	Johanna Finnegan-Topitzer, Instructor
	$675
	This course will cover a historical range of sewn bindings as alternatives to traditional case bindings. Through demonstrations and exercises, students will learn to construct simple pamphlets, long stitch, coptic, and others as time allows. Topics include basic skills of folding, cutting, and sewing; matching appropriate structures to materials and intended use; paper selection; and structural opportunities for decoration. If you don’t already own bookbinding tools, expect to spend approximately $180 on tools for this course, in addition to tuition. For more information on tool lists and purchasing tools, see page XX.
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	Introduction to Non-Adhesive Bookbinding
	5 weeks, Saturdays, Jan 10-Feb 21, 2009, 8:30am-4:30pm, no class 1/, 2/14)
	Johanna Finnegan-Topitzer, Instructor
	$675
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	Introduction to Non-Adhesive Bookbinding
	11 week, Mon-Fri, Jan 26-30, 2009, 8:30am-4:30pm
	Stacie Dolin, Instructor
	$675
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	Crossed Structure Bookbinding
	Mon-Wed, Feb 2-4, 2009, 8:30am-4:30pm
	Stacie Dolin, Instructor
	$675
	The crossed structure binding is a modern non-adhesive binding. It has many variations and lends itself to individual tastes, making wonderful use of papers of different colors and patterns in the woven structure of the binding. Colorful threads can also be used to enhance these bindings as the sewing is left exposed. This class works well for those who have taken the Introduction to Non-Adhesive Bookbinding workshop, but previous bookbinding experience is not required.
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	Introduction to Cloth Case Bookbinding
	5 weeks, Saturdays, Nov 15-Dec 20, 2008, 8:30am-4:30pm, no class Nov 29
	Amy Lapidow, Instructor
	$675
	This workshop will introduce students to basic hand binding techniques. Each student will complete at least two styles of bindings - one flat back, and one with rounded and backed spine. Through demonstrations and exercises, students will learn the steps of cloth case book construction: folding, sewing, making and attaching endpapers, trimming, and covering in cloth. Topics include: structural considerations, such as choosing flat-back or rounded and backed spine; choosing appropriate materials; basic hand tool use; and paper and board properties. If you don’t already own bookbinding tools, expect to spend approximately $180 on tools for this course, in addition to tuition.
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	Introduction to Cloth Case Bookbinding
	1 week, Mon-Fri, Feb 9-12, 2009, 8:30am-4:30pm
	Stacie Dolin, Instructor
	$675
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	Introduction to Cloth Case Bookbinding
	5 weeks, Saturdays, Feb 28-Mar 28, 2009, 8:30am-4:30pm
	Amy Lapidow, Instructor
	$675
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	Photo Albums
	Mon-Wed, Dec 15-17, 2008, 8:30am-4:30pm
	Stacie Dolin, Instructor
	$500
	Photo Albums This course will cover the construction of album structures. The primary structure taught in this workshop will be the stiff leaf album. This type of binding is one that can be accomplished at home with a minimal amount of equipment. There are several options that can be added to this type of album structure, including pockets, inserts, and others as time and creativity allows. Depending on skill level and the time available, students will have the opportunity to work on other album structures as well. This class is open to all skill levels; however, a basic understanding of bookbinding concepts will be helpful. If you don’t already own bookbinding tools, expect to spend approximately $125 on tools for this course, in addition to tuition.
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	Basic Paper Conservation for Bookbinders
	Mon-Wed, Nov 3-5, 2008, 8:30am-4:30pm
	Heather Hamilton and Deborah Cuoco, Instructors
	$500
	This course will introduce students to basic paper conservation treatments. We will discuss how paper is manufactured and how it deteriorates. Students will learn about the tools and materials used in paper conservation and will practice treatments such as cleaning, washing, deacidifying, mending, tape removal, flattening, and storage techniques. Other topics will be included as time permits. If you don’t already own bookbinding tools, expect to spend approximately $80 on tools for this course, in addition to tuition.
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	Limp Vellum Bookbinding
	Wed-Fri, Feb 25-27, 2009, 8:30am-4:30pm
	Stacie Dolin, Instructor
	$500
	The Limp Vellum binding is one of the most beautiful traditional structures. Using calf vellum covers, alum-tawed hide, and bone clasps, students will make their very own model of this binding. Students will learn herringbone stitch, hand-sewn headbands, and the lacing in and covering of this flexible, durable binding that dates back to the fourteenth century. If you don’t already own bookbinding tools, expect to spend approximately $200 on tools for this course, in addition to tuition.
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	New! Leather Surfaces
	Sat & Sun, Sept 13-14, 2008, 8:30am-4:30pm
	Peter Geraty, Instructor
	$400
	This workshop will be geared toward bookbinders, woodworkers, and others who may wish to cover furniture or other objects in leather, and then tool in gold. This class is suited for those who have not had experience in leather and gold. The workshop will involve demonstration by the instructor, along with short hands-on segments, to give the feel of how to work these materials. You will get a taste of the process, and begin your journey to surfacing in leather. No prior experience is necessary for this workshop. The tuition includes a materials fee for some leather and gold; additional gold leaf will be available for purchase if desired. If you don’t already own leather working tools, expect to spend approximately $100 on tools and materials for this course, in addition to tuition.
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	Advanced & Professional Level Bookbinding Workshops
	August 2008
	to February 2009
	New! Leather Decoration
	Sat & Sun, Nov 2-3, 2008, 8:30am-4:30pm
	Peter Geraty, Instructor
	$400
	Go beyond traditional gold tooling in this leather decoration class. Topics include inlays and onlays (including hardedge, feathered and reveals), tooled lines (with the Ascona tool) using thin leather inlays and paint, gilding of leather with gold leaf in abstract designs, sculpted boards, and cut leather (Cuir Cisele). There is a lot to cover in two days so the workshop will be somewhat fast paced. Experience working with leather is a prerequisite for this course. If you don’t already own bookbinding tools, expect to spend approximately $100 on tools and materials for this course, in addition to tuition. The tuition includes a materials fee for some leather and gold; additional gold leaf will be available for purchase if desired.
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	Vellum Stiffboard Binding
	Mon-Wed, Aug 18-20, 2008, 8:30am-4:30pm
	James Reid-Cunningham, Instructor
	$550
	Vellum stiffboard bindings were common from the 16th to the 19th centuries throughout Europe, and often functioned as an alternative to more expensive leather bindings. This course will explore a hybrid modern structure utilizing historical elements found in early versions of the vellum stiffboard binding, but with flexible joints that create less stress on fragile text blocks. This binding is sturdy and elegant, takes gold tooling well, and is suitable for conservation re-bindings as well as for presentation bindings or fine bindings. During this course, the student will learn herringbone sewing on split thongs; back bead endbands; fabricating bookboard; constructing a vellum stiffboard case; lacing on the case using endband cores and thongs; tipped-on endsheets; and tooling the spine with gold leaf. The tuition includes a materials fee for supplies.
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	CALLIGRAPHY & RELATED ARTS WORKSHOPS
	September 2008 -
	February 2009
	Chena River Marblers will be joining us once more, this time for a free artist demonstration and discussion, as well as two marbling workshops. Additionally, Julia Rabin brings her painter’s eye to paste papers, and Maryanne Grebenstein continues the excitement with her calligraphy and manuscript gilding classes.
	Paste Papers
	Saturday, Nov 15, 2008, 8:30am-4:30pm
	Julia Rabin
	$275
	In this one-day paste paper making class, learn a brief history of paste papers: their uses, methods of production, and traditional materials used. From there, go on to discuss contemporary materials - papers, paints, and tools to make designs. Instruction includes mixing colors and a bit of color theory as well as how to color match to make repairs on old books, or how to make new papers look older. Use odd tools to create designs and think of creative ways to approach painting, expanding your thinking to new ideas. The tuition includes a materials fee for all supplies.
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	Introduction to Calligraphy
	Sat and Sun, Nov 15 -16, 2008, 8:30am-1:00pm, with studio time until 4:30pm
	Maryanne Grebenstein
	$350
	This class, designed for students with little or no experience in calligraphy, will cover all the necessary basics for learning to letter with a broad-edged pen. Students will learn about pen angle, pen scale, letter proportion, creating letter forms with a broad-edged pen, and how to “line up” your work. Design and color will be touched upon as well. If you don’t already own calligraphy supplies, expect to spend approximately $75 on tools and texts for this course, in addition to tuition. You will receive a tool list in the mail the month before your class is scheduled to begin.
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	FREE! Artist Demo with Chena River Marblers
	Thurs, Jan 22, 2009, 6:00-8:00pm
	Regina and Dan St. John, Instructors
	Join Regina and Dan St. John of Chena River Marblers for a free artist demonstration/discussion to learn the secrets behind the truly stunning and beautiful marbled papers they create. To register, please email workshop@nbss.org or call (617) 227-0155
	One Day Introduction to Marbling
	Fri, Jan 23, 2009, 8:30am-4:30pm
	Regina and Dan St. John, Instructors
	$265
	Learn a basic introduction to paper marbling. Try many traditional combed marbled patterns as well as the basic stone pattern. Prepare your own marbling size and papers for marbling, and learn how to make simple combs for independent future use. All materials will be supplied for these classes and students may expect to complete from 10-15 papers during the class. The tuition includes a materials fee for supplies.
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	Two Day Introducton to Marbling
	Sat & Sun, Jan 24-25, 2009, 8:30am-4:30pm
	Regina and Dan St. John, Chena River Marblers
	$365
	The first day of this two-day class gives students a basic introduction to paper marbling. Learn many traditional combed marbled patterns as well as the basic stone pattern. Prepare your own marbling size and papers for marbling, and learn how to make simple combs for independent future use. On the second day, learn additional combed patterns, the beautiful Spanish Moire style of marbling and Turkish Ebru (Flower Style) Marbling. All materials will be supplied for these classes and students may expect to complete 25-35 papers during the class. The tuition includes a materials fee for supplies.
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	Manuscript Gilding and Illumination
	Sat and Sun, Feb 7-8, 2009, 8:30am-4:30pm
	Maryanne Grebenstein
	$350
	Students will be taught the technique of gilding on paper or vellum and the use of a gouache to create beautiful artwork reminiscent of the medieval manuscripts. Karat gold leaf will be applied to gesso and burnished to create a brilliant “illumination” of the page. Traditionally, this technique is used in conjunction with calligraphy and hand lettering to create beautiful, museum quality manuscripts and scrolls. However, it is a stand-alone art form which can be used without words to create beautiful, gilded images. If you don’t already own paper arts tools, expect to spend approximately $150 on tools and materials for this course, in addition to tuition. You will receive a tool and material list in the mail the month before your class is scheduled to begin.
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	JEWELRY MAKING WORKSHOPS
	September 2008 -
	February 2009
	Cynthia Eid joins North Bennet Street School this spring and summer for some wonderful professional-level courses in Argentium Silver, Hammer Forging, and the Hydraulic Press, as well as a free artist talk about her work. If you’re new to jewelry making, try our Fundamentals I and II of Jewelry Making – the perfect introduction to the craft. And if you’re still craving more… There’s Working with Gold.
	Artist Talk with Cynthia Eid, Metalsmith
	Thur, Feb 26, 2009, 6:00pm-8:00pm
	Cynthia Eid
	FREE
	“I love the evolutionary transformation - through hammering, persuasion, and strugglefrom a flat sheet of metal towards an object of unity and fluidity. I enjoy the paradox that “soft” and fluid-looking metal may have required extreme force and skill to be produced. The forms in my work have their roots in my gardens, and meanderings through the woods and along the water’s edge. The allusions are ambiguous so that each viewer may relate differently, as perceptions are filtered through personal sets of memories and experiences. Each piece is intended to be used, worn, or held and contemplated for a moment’s respite from the hectic world.” From Cynthia Eid's artist statement. To register, please call (617) 227-0155 or email workshop@nbss.org.
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	Introductory, All Level, & No Prerequisite Classes
	September 2008 -
	February 2009
	Fundamentals I of Jewelry Making
	5 weeks, Tu & Th, Sept 23-Oct 23, 2008, 6:00-9:30pm
	Megan Holst
	$675
	The career of a bench jeweler involves the lifelong development and refinement of hand skills and techniques, and an understanding of the characteristics of metals and stones. Learn skills that are encountered while fabricating and repairing jewelry: sawing, filing, and shaping metals. This workshop offers an overview for individuals considering entering the field as bench jewelers, for those already employed in the retail business, and for those just interested in learning more about how jewelry is made and repaired. Students will spend the majority of class time on hands-on application of points covered in lecture and demonstration. If you don’t already own jewelry making tools, expect to spend approximately $425 on tools for this course, in addition to tuition.
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	Fundamentals I of Jewelry Making
	5 weeks, Tu & Th, Jan 13-Feb 12, 2009, 4:00-7:30pm
	Megan Holst
	$675
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	Prerequisite-Required and Upper Level Jewelry Workshops
	September 2008 to
	February 2009
	Fundamentals II of Jewelry Making
	5 weeks, Tu & Th, Feb 17-Mar 19, 2009, 6:00-9:30pm
	Megan Holst, Instructor
	$675
	This class expands on Fundamentals I of Jewelry Making. In Fundamentals II, focus on the art of soldering, one of the more difficult tasks required to become proficient in the craft of jewelry making. After lectures and demonstrations, students will have the opportunity for hands-on practice to become familiar with silver soldering. Fundamentals I of Jewelry Making or equivalent experience is the prerequisite for this workshop. A basic understanding of jewelry making and prior experience in sawing and filing is necessary to be successful in this class. In addition to the tools required for Fundamentals I of Jewelry Making, expect to spend approximately $35 on tools for this course, in addition to tuition.
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	Working with Gold
	Sat and Sun, Mar 21-22, 2009, 8:30am-4:30pm
	Megan Holst
	$375
	Students in this two-day intensive workshop will have the opportunity to work with and learn the characteristics of 14K yellow and white gold. Students will learn the proper steps in annealing, forming, soldering and finishing a project in gold through hands on practice. There will be a materials charge for the gold used in the workshop. Please bring a check with you to pay the instructor for the gold. The cost will depend upon how much gold you use and the price of gold at the time we purchase the material. The prerequisite for this class is silver soldering proficiency, which you will have gained in Fundamentals I and II of Jewelry Making, or the equivalent. Having taken those classes, you should have most of the tools necessary for this workshop.
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	Creating with Argentium Sterling Silver
	Sat & Sun, Feb 28-Mar 1, 2009, 8:30am-4:30pm
	Cynthia Eid
	$350
	Working with Sheet, Wire, and Granules for Jewelers and Metalsmiths Designed for people who want to become comfortable working with Argentium Sterling Silver sheet and wire, this workshop will teach a variety of techniques including annealing, soldering, fusing, and hardening. Argentium Sterling is a new sterling alloy that is at least 92.5% pure silver. It does not firescale, is highly tarnish-resistant, is more malleable and ductile than traditional sterling, and can be precipitation hardened using a kitchen oven. Argentium Sterling has superb fusing qualities, so demos will also include fusing granules to sheet, sheet to sheet, wire to wire, and gold to Argentium Sterling. Following demonstrations, participants will have time to make their own technical samples and/or finished jewelry projects during the class. Students with basic jewelry and metalsmithing skills, as well as professionals, are welcome.
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	Introduction to Forging and Forming with Hammers
	Sat & Sun, Mar 28-29, 2009, 8:30am-4:30pm
	Cynthia Eid
	$350
	Learn basic forging and forming techniques in this weekend workshop. Experience the thrill of watching the metal move, compress, and stretch as you control it with a hammer. Discover how to use a hammer proficiently, without hurting your arm. Find out which hammer to use for which process. For each skill, participants will make a number of learning samples. Students may choose to complete a finished piece. As techniques are explored, and ideas are generated, students will be encouraged to develop their designs with concepts of composition, craftsmanship, individuality, and functionality considered.
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	New! Forming with the Hydraulic Press
	1 week, Mon-Fri, Jul 13-17, 2009, 8:30am-4:30pm
	Cynthia Eid
	$675
	Learn to use tools in the hydraulic press to explore the design and form possibilities they offer. The workshop begins with Hydraulic Press Safety and Care. Learn about and understand how to take advantage of the various thicknesses and durometers of urethane for effective and creative embossing and matrix die forming. Make and use your own embossing and silhouette dies. Become skilled in using the anticlastic and synclastic forming tool sets, the urethane and restraining ring forming system, as well as contained urethane blocks. Combine hydraulic press forming with surface enrichment techniques for limitless possibilities! This workshop is appropriate for students with basic metalsmithing skills as well as professionals.
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	MARKETING WORKSHOPS
	September 2008 -
	February 2009
	Turning Your Craft into a Business and Marketing 101 together help the emerging (and not-so-emerging) craftsperson become an entrepreneur. You can sign up for the classes individually, or take “Turning...” in September, put into practice what you have learned, and come back in January for “Marketing 101” for the next important step. In both classes, learn tips that are specific to art-based businesses and concepts that are important in running any business. These classes are invaluable for craftspeople considering making a living at their craft.
	New! Turning Your Craft into a Business
	Saturday, Sept 27, 2008, 8:30am-4:30pm
	Marlene Richey
	$250
	You are perfecting the skills of your craft, now you want to make a living at what you love doing. This class will give you the basic information you need to make the transition to a professional craftsperson and learn how to get your skills/craft into the marketplace. Learn the steps necessary to run a successful art/craft business as well as tricks of the trade to ensure your art is more than just a hobby. The class is hands-on, fast paced and fun.
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	Marketing 101 - You!
	Saturday, Jan 24, 2009, 8:30am-4:30pm
	Marlene Richey
	$250
	There is so much to learn and master in marketing a craft/art product. Marketing 101 will help you describe your product, identify your potential client, and figure out how to get your product in front of this illusive client. Learn to take the steps necessary to create a marketing plan that will target your individual market in the most cost-effective ways possible, in easy to follow steps. There are a lot of handouts and hand-on exercises, so come prepared to learn and have a good time. Discover who you are, what you create, and how to get it to the market.
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	Both Classes - Turning Your Craft into a Business and Marketing 101
	Saturday, Sept 27, 2008 and Saturday, Jan 24, 2009
	Marlene Richey
	$350
	Sign up for both classes and save $150.
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	WOODWORKING WORKSHOPS
	September 2008 -
	February 2009
	Have you been meaning to perfect your machine woodworking skills? We have lots of opportunities, with the Machine Woodworking – Arts & Crafts Table, Trestle Table, Pembroke Table, Frame & Panel Chest, and Tablesaw Maintenance and Techniques classes. We are also focusing on architectural elements in our new Georgian Mantle Shelf and Introduction to Architectural Carving workshops. In the mood for something different? Learn how to cover tabletops and other surfaces in leather, and then gild them, in our Leather Surfaces class.
	Introductory & All Level Woodworking Workshops
	April to
	August 2008
	Three Month Furniture Making Intensive
	Mon-Fri, Sep 15-Dec 5, 2008, 8:30am-4:30pm
	Janet Collins, Instructor
	$6000
	This Furniture Making Intensive should be considered by those who wish to learn as much as possible about furniture making in a three month time period. Participation in this longer term class can also be used by students who wish to enhance their skills to be better prepared to attend one of North Bennet Street School’s full time programs. This course is designed to guide the student from basic hand and machine skills to advanced techniques in furniture making with each student building a writing desk from rough lumber. This course includes the foundational content of two of our workshops, Fundamentals of Fine Woodworking and Fundamentals of Machine Woodworking. The first part of this class will include the hand and machine skills presented in those two classes. Students will complete several basic and advanced joinery samples and other projects, prior to building a Sheraton style desk. The construction of this desk will cover many techniques that can be used in building a wide range of furniture. Building this desk from conception to completion will provide students with the knowledge and skills to build most tables and case pieces. Students will be brought to the lumber yard and guided through the process of choosing and purchasing the appropriate stock for the project. Students will be given instruction and practice three styles of legs, including turned and tapered legs. Students will have the choice of which style of leg they will make for their desk. In addition, the skills learned in this course will include: basic drafting, reading and following furniture plans, project organization, developing procedures and stock lists, working safely, efficiently and accurately, spindle and faceplate turning, veneering curved and flat surfaces, case and table construction, and finishing. The hand cut and machine cut joinery will include: half blind and through dovetails, mortise and tenon, multiple stub tenons, twin tenons, housed tapered dovetails, dovetailed drawer dividers, dovetailed vertical partitions, shaping and cutting molding, and curved and flat drawer construction. Upon completion, students will have met our Fundamentals of Fine Woodworking and Fundamentals of Machine Woodworking prerequisites. This course has no prerequisite. Students will be responsible for the materials cost of approximately $300. for the writing desk. If you don’t already own woodworking tools, expect to spend approximately $550. on tools for this course, in addition to tuition. You will receive a tool list in the mail the month before your class is scheduled to begin. For your convenience, you will also receive an order form if you wish to order tools, which can be picked up prior to or on the day of your class, from our school store.
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	Three Month Furniture Making Intensive
	Mon-Fri, Mar 2-May 22, 2009, 8:30am-4:30pm
	not supplied
	$6000
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	Fundamentals of Fine Woodworking
	10 weeks, Tues & Thus, Sept 16-Nov 20, 2008, 6:00pm-9:30pm
	Judith Hanson, Instructor
	$1150
	This course will cover three essential skills or elements necessary to build a foundation of skills for one to attempt fine woodworking projects. Topics include: 1) sharpening, tuning, and use of basic hand tools including paring chisels, hand plane, dovetail saw, card scraper, and marking gauge, 2) characteristics of wood and wood movement in furniture making, 3) the strategies of laying out and cutting dovetails and mortise and tenon joinery using flat and square reference surfaces. Demonstrations and student exercises will develop skills such as chopping and paring with a chisel and hand planing. Students will learn to lay out and cut dovetail and mortise and tenon joints. Traditional cabinetmaking practices will be explained throughout the workshop as instructors emphasize how these methods can be used systematically in any woodworking project. This class is limited to 14 students.
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	Fundamentals of Fine Woodworking
	10 weeks, Saturdays, Sept 20-Dec 13, 2008, 8:30am-4:30pm, no class Oct 11, Nov 8, and Nov 29
	Sam Chase, Instructor
	$1150
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	Fundamentals of Fine Woodworking
	10 weeks, Tues & Thurs, Oct 7-Dec 18, 2008, 9:00am-12:30pm, no class Nov 27
	Judith Hanson, Instructor
	$1150
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	Fundamentals of Fine Woodworking
	2 weeks, Mon-Fri, Dec 1-12, 2008, 8:30am-4:30pm
	Sam Chase, Instructor
	$1150
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	Fundamentals of Fine Woodworking
	10 weeks, Saturdays, Jan 10-Mar 28, 2009, 8:30am-4:30pm, no class Jan 17 and Feb 14.
	Sam Chase, Instructor
	$1150
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	Fundamentals of Fine Woodworking
	10 weeks, Tues & Thurs, Jan 13-Mar 19, 2008, 6:00pm-9:30pm
	Judith Hanson, Instructor
	$1150
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	Fundamentals of Fine Woodworking
	2 weeks, Mon-Fri, Feb 2-13, 2009, 8:30am-4:30pm
	Sam Chase, Instructor
	$1150
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	Fundamentals of Machine Woodworking
	5 weeks, Saturdays, Sept 20-Oct 25, 2008, 8:30am-4:30pm, no class Oct 11
	Matthew Wajda, Instructor
	$675
	Good performance cannot be obtained from woodworking machines unless the user becomes familiar with their construction and proper adjustment. Students will develop the skills and confidence to perform basic operations with grounding for more complicated procedures. Machines will be discussed in reference to specific woodworking tasks and set up accordingly with the necessary fences, guides, or fixtures. Proper techniques for operating each machine safely and for recognizing potentially dangerous situations will be emphasized. The course will include an overview of what to look for when purchasing new or used machines and review sources for machines, tooling, and re-sharpening. If you’ve never taken woodworking before, expect to spend approximately $30 on equipment for this course, in addition to tuition. You will receive an equipment list in the mail the month before your class is scheduled to begin. For your convenience, you will also receive an order form if you wish to order equipment, which can be picked up prior to or on the day of your class, from our school store.
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	Fundamentals of Machine Woodworking
	5 weeks, Tues & Thurs, Oct 21-Nov 20, 2008, 6:00-9:30pm
	Ellen Kaspern, Instructor
	$675
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	Fundamentals of Machine Woodworking
	1 week, Mon-Fri, Oct 27-31, 2008, 8:30am-4:30pm
	Matthew Wajda, Instructor
	$675
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	Fundamentals of Machine Woodworking
	5 weeks, Saturdays, Jan 24-Feb 28, 2009, 8:30am-4:30pm, no class Feb 14
	Ellen Kaspern, Instructor
	$675
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	Fundamentals of Machine Woodworking
	1 week, Mon-Fri, Jan 26-30, 2009, 8:30am-4:30pm
	Matthew Wajda, Instructor
	$675
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	Fundamentals of Machine Woodworking
	5 weeks, Tues & Thurs, Jan 27-Feb 26, 2009, 6:00-9:30pm
	Ellen Kaspern, Instructor
	$675
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	Machine Maintenance and Technique: The Tablesaw
	Fri & Sat, Jan 9-10, 2009, 8:30am-4:30pm
	Matthew Wajda, Instructor
	$350
	Learn how a tablesaw works, what makes it run well, and what can be done to make it run better. Whether you have a new or old tablesaw, this two-day course will give you a good overview of the work needed and the confidence to tune up and maintain your tablesaw. Additionally, learn techniques and all the many things you can do with the tablesaw. Bring safety glasses to class.
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	Flat Edge Tool Sharpening
	Saturday, Sept 20, 2008, 8:30am-4:30 pm
	Janet Collins, Instructor
	$250
	This one day seminar presents the theory and practice of hollow grinding and honing flat edge tools. Students will work on chisels and card scrapers; hand planes will be covered as time permits. The techniques covered in class are applicable to other tools as well. Participants can expect to sharpen two or three tools during the session. If you don’t already own sharpening tools, expect to spend approximately $100 on tools for this course, in addition to tuition.
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	Flat Edge Tool Sharpening
	Saturday, Feb 21, 2009, 8:30am-4:30pm
	Janet Collins, Instructor
	$250
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	Introduction to Spindle Turning
	3 weeks, Tues & Thurs, Oct 7-23, 2008, 6:00pm-9:30pm
	Janet Collins, Instructor
	$500
	This course will offer instruction in spindle turning techniques used in furniture making. Information on lathes, tools, materials, and finishing will be presented. Sharpening tools will be demonstrated and practiced. Each student will have a lathe to use to practice various turning techniques. Students will have hands-on turning practice using four basic tools; the roughing gouge, spindle gouge, parting tool, and skew chisel. They will also have the opportunity to turn a mallet before the class ends. This class is open to all skill levels. The school has sets of tools students may use during this class. If you wish to buy your own turning tools, expect to spend approximately $220 on tools for this course, in addition to tuition. You will receive a tool list in the mail the month before your class is scheduled to begin.
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	Introduction to Bowl Turning
	3 weeks, Saturdays, Dec 6-20, 2008, 8:30am-4:30pm
	Rich Friberg, Instructor
	$500
	This three day course introduces students to faceplate and bowl turning, which can be very different from spindle turning. A major difference is the orientation of the grain when the wood is attached to the lathe. In bowl turning, the grain of the wood typically is perpendicular to the bed of the lathe; in spindle turning, the grain is parallel to the bed of the lathe. Various methods of attaching the wood will be covered in this class, as will sharpening the appropriate tools for bowl turning. Projects to work on include small bowls and plates. More objects can be turned depending upon the skill level of the students. Each student will have a lathe to use during the entire class. This class is open to all skill levels. The school has sets of tools students may use during this class. If you wish to buy your own turning tools, expect to spend approximately $160 on tools for this course, in addition to tuition.
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	Introduction to Bowl Turning
	2 days, Sat & Sun, Feb 7-8, 2009, 8:30am-4:30pm
	Rich Friberg, Instructor
	$350
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	Traditional Slip Seat Upholstery
	Saturday, Jan 24, 2009, 8:30am-4:30pm
	Janet Collins, Instructor
	$250
	This one day workshop will introduce students to the traditional methods of upholstering a slip seat. This type of seat frame is also referred to as a loose seat, as found on dining chairs and side chairs. Students will be provided with a hardwood frame to upholster using jute webbing, burlap, loose horse hair, muslin and cotton batting. Students are required to provide the finish fabric and their own hand tools. The method of building the slip seat frame will be discussed. If you don’t already own upholstery tools, expect to spend approximately $80 on tools for this course, in addition to tuition.
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	Hammer Veneering and the Vacuum Press EXPANDED
	3 days, Mon-Wed, Sept 22-24, 2008, 8:30am-4:30pm
	Matthew Wajda, Instructor
	$520
	This three day workshop introduces students to the basic process of applying veneer to a surface with hide glue. This traditional method of veneering requires very little equipment, making it a practical method for small shops. Students will practice this technique, applying a simple matched veneer to a flat substrate. Advanced techniques such as vacuum pressing, curved work, and veneering on cylinders will be discussed as time permits. This course is open to all skill levels. If you don’t already own woodworking tools, expect to spend approximately $50 on tools for this course, in addition to tuition.
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	Shaker Oval Boxmaking
	Sunday, Dec 7, 2008, 8:30am-4:30pm
	Judith Hanson, Instructor
	$250
	Working with prepared ovals and box bands, students will learn to bevel, steam, and bend Shaker box bands and fit and tack them to lids and bottoms. Lectures and demonstrations will cover a brief history of the Shakers and their woodcraft. Each student will make three Shaker boxes. Topics include re-sawing wood into box bands, making templates, cutting finger patterns, making oval cores for shaping constructing and finishing boxes, and sources for box materials. If you don’t already own woodworking tools, expect to spend approximately $60 on tools for this course, in addition to tuition.
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	Shaker Oval Boxmaking
	Sunday, Mar 1, 2009, 8:30am-4:30pm
	Judith Hanson, Instructor
	$250
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	New! Carved Georgian Mantle Shelf
	2 weeks, Saturdays, Sept 20-27, 2008, 8:30am-4:30pm
	Dan Faia, Instructor
	$370
	Learn to carve elements used in fireplace mantels in this two-day workshop. These ornaments can easily be adapted to furniture, picture frames, and many other architectural details. The mantel shelf involves basic construction and allows the exploration of carving. The pair of carved brackets supports and frames a shelf with an intricately carved molding. This is a carving workshop which utilizes basic machine skills. Sharpening experience would be helpful, but this course is open to all skill levels. If you don’t already own woodworking tools, expect to spend approximately $225 on tools for this course, in addition to tuition. The tuition includes a materials fee for lumber and supplies.
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	New! Introduction to Architectural Carving
	4 weeks, Tuesdays, Oct 21-Nov 11, 2008, 6:00pm-9:30pm
	Dan Faia, Instructor
	$370
	This workshop will cover common interior architectural elements. Focusing on Colonial-inspired detail, learn to carve scrolled stair end brackets, appliqué freeze flowers, and leaf fireplace capitals. This carving workshop reaches the needs and interests of woodworkers from all trades. Sharpening experience would be helpful, but this course is open to all skill levels. If you don’t already own woodworking tools, expect to spend approximately $200 on tools for this course, in addition to tuition. The tuition includes a materials fee for lumber and supplies.
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	New! Introduction to Traditional Finishing
	Wed-Fri, Sept 17-19, 2008, 8:30am-4:30pm
	Melissa Carr, Instructor
	$575
	This class offers an introduction in the materials and application techniques for shellac, oil/resin varnishes, and wax finishes for furniture. Application techniques include brushing, wiping and french polishing. If time permits, there will be some instruction in color adjustment. Students will be provided with sample boards in representative woods. Caveat emptor: there are no short-cuts. This course is open to all skill levels. The tuition includes a materials fee for tools, lumber, and supplies.
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	New! Leather Surfaces
	Sat & Sun, Sept 13-14, 2008, 8:30am-4:30pm
	Peter Geraty, Instructor
	$400
	This workshop will be geared toward woodworkers, bookbinders, and others who may wish to cover furniture or other objects in leather, and then tool in gold. This class is suited for those who have not had experience in leather and gold. The workshop will involve demonstration by the instructor, along with short hands-on segments, to give the feel of how to work these materials. You will get a taste of the process, and begin your journey to surfacing in leather. No prior experience is necessary for this workshop. The tuition includes a materials fee for some leather and gold; additional gold leaf will be available for purchase if desired. If you don’t already own leather working tools, expect to spend approximately $100 on tools and materials for this course, in addition to tuition.
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	Prerequisite-Required and Upper Level Woodworking Workshops
	September 2008 -
	February 2009
	New! More Bowl Turning Techniques
	Sat & Sun, Feb 28-Mar 1, 2009, 8:30am-4:30pm
	Rich Friberg, Instructor
	$350
	This two-day workshop offers more turning opportunities and advanced projects for those who couldn’t get enough during the Introduction, or for those with some experience behind the wheel of the lathe. Projects may include lidded vessels, turned boxes, and applied rims, as well as other projects, depending on class interest. The prerequisite for this class is Introduction to Bowl Turning, or prior turning experience. If you wish to buy your own turning tools, expect to spend approximately $160 on tools for this course, in addition to tuition.
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	Turned Box
	Sat, Jan 31, 2009, 8:30am-4:30pm
	Janet Collins, Instructor
	$250
	Turn a box and lid in this one-day workshop. Introduction to Bowl Turning, or prior turning experience, is required. The school has sets of tools for students to use. If you wish to buy your own turning tools, expect to spend approx